A Case Of You | By : lapsuscalumni Category: > Kyo/Kaoru Views: 908 -:- Recommendations : 0 -:- Currently Reading : 0 |
Disclaimer: This is purely a work of fiction! I do not know Dir en grey, and I do not profit from these writings. |
Genre: Waff. Sprinkles of angst. Realism.
Pairings: Kyo/Kaoru, Die/Shinya [Dir en grey]
Rating: Pg-13 so far, will escalate in later chapters
Warnings: M/M. Language.
Author's blurb: You've just the kind of cork I'd break my teeth to dislodge! UN-BETA'D. Setting is November 10th, 2009 in NYC. Based loosely on real events (and because I wanted to play off of some peoples' questions concerning what may have prompted Kyo's "change of character," which IMO wasn't really a change deep down, at heart, at all)! My first stab at D/S, I just...jumped into it with my eyes closed and felt around, which is not usually what I do, so forgive me if my grasp is weak. Written in response to a challenge/promise for melinen. Xposted to LJ: http://mistress-of-ra.livejournal.com/29572.html
The clock is talking. He says nothing back, rather, has nothing to say back. He usually let's the momentum of his life do the talking but it was quiet now, he was alone, and blended generously into the surrounding folds of solitude. Not an ideal location, his tour bus, but hardly something to complain about. It had it's dense tan floors and walls shielding him from the brittle city winds, which already could talk plenty about escapades in Texas. Heaven knows it will be shades darker by the time they leave New York.
Sometimes he'd go days on end with mere company of wall-studded memories.
He leans forward, out of the booth, risking a look at the dashboard clock at the front of the bus, again. Tick-talking.
The minutes are only measurements that lead him away from the other. He knew him as Sunday, sometimes Monday, this day was Tuesday, so he put their love in his pocket, leaned back and reached for his notebook.
"I'll explain it to them."
Kyo stills, looking over a determined form curiously.
Words at last flow from upturning cherubic lips, "Validating possession, wouldn't that just turn you on? Mmmm. Don't feel obligated." Because he has nothing to prove, except to himself. However, he will be lying if he says that the thought of being known wholly, indefatigably, doesn't scare him out of his skin and that doesn't have anything to do with what motivated his discouragement. But he hates lying, so he says nothing.
Kaoru releases his grip, accommodating Kyo, so that each of his palms may come forward to kiss his.
"Arrogant son of a bitch." Kaoru laughs, slapping at Kyo's hands, then watching, uncharacteristically childlike in awe, as their fingers interlock with Kyo's lead.
Kyo's eyes dart from hands, to Kaoru's face, and he realizes how fucking distinct and masculine his features are; stunningly traditional in the way beautiful used to mean something. His chest tightens.
Kaoru draws each linked pair of limbs to their sides. Rid of obstructions, he focuses pressure forward, groin inching against Kyo's. And he sits there, staring, mind rolling over the many reasons why they work so well together. The answer right thereーconviction pulsing under and against Kyo's skin, pushing against Kaoru's finger tips, begging him to know how alive he is, has been, and will be should they keep relying, letting each other in.
And when Kaoru reveals, "I want them to see you like I do." Kyo's every pore imbibes delight, he understands, like he never has beforeーthe sentiment so strong it carries itself into the remainder of days they have in New York.
Come the morning of the 14th, the fans will see.
He's looking at the floor like it's the last thing he'll ever see, the wooden planks moving in illusion with anxiousness when the sound of a relieved laugh penetrates. It comes with intelligence, an understanding he shares with his other bandmates, who are not used to the confrontation which promises to commence sometime in the next 20 minutes; lingering strong and all consuming. A social eclipse. So he isn't amazed as he watches hands wrap enthusiastically around the beers the staff of Kinokuniya and early-bird press provide. Virgin sips even cause eyes to sparkle with repletion, a bitter-sweet smell wafts, casting a spell that will hopefully keep it's hold well into the night.
Kaoru especially is affected. Typically he wears responsibility well, but there's something in the way he is trying to stand that much taller, the way his hands shake in anticipation of the drink, that speak of his decision to undertake something more significant. Even from the point of view of someone whom he's rarley spoken to that day, the change is visible. Shinya can be deemed the observer of the band in his own right. He frowns some at the possession of mannerisms, though amusing as sin, Kaoru is rarely this boisterously driven in the face of industry-folk. At one point he skips over to security, unabashedly expressing his love and appreciation for a male stranger with an overly enthusiastic hand shake, better suited for a romantic comedy.
Were it not for the guitarist reaching for the necklace he traded with Kyo, when he thinks no one is looking, Shinya could not deduce it's more nerves and loneliness than bother.
Yet somehow, he doesn't relax. He can't relax. Not when the other guitarist has been eyeing him the entire time.
Now he's walking over to stand inches from him, eyes painting a secret scene in 100 overlapping colors, muting intent.
I'm a lonely painter...I live in a box of paints
"You should have a drink." Die suggests, voice projecting more than what's being said. Shinya's gaze falling head to toe. Only you'd never know it the way his focus finally magnetizes as if destined and without deviation, on the buttons of the plaid shirtーhe fought tooth and nail against Boss' drunk "it's the best shirt in the world omg buy it" volleysーand the up and down slight of a chest so clad.
"You're not going to make this easy for me. Are you?"
Die's gaze never leaves Shinya's now sharp, but off-looking expression, as he pulls his glasses from his collar, slowly bringing them up to his face, ignoring the flatness of the statement in satisfaction of knowing Shinya never speaks without purpose.
I used to be frightened by the devil and drawn to those who weren't afraid
"Is there any other way?" Die asks, looking smug out from under glass, thinking back on their history, Shinya's form seeming to warm, enveloped by an amber tint.
He doesn't answer but lashes flutter up. Brown globes meet, burn and bear down for minutes on end, calling on iced butterflies to swim in Die's stomach, breeding nervousness, rare even for him.
Remember when you told me that love was touching souls?
Later, when New York fans are aptly waiting to hear Shinya's opinion of them he knows, the instant Die nudges himーheat jolting and lips molding into a timidly smile licked responseーthat purity doesn't live anywhere else but betwixt and between those challenging moments friction conjures.
He's not a fan of clutter but he collects, his home filling with parades of mementos from his past, things he's aquired while on tour and the sort, so he never has to forget. With Die he's collected the mostーpolished gems of experience decorating and buffering his memory and existenceーon display bordering his heart. And when he and Die are apart, Shinya alone in the back of a taxi, New York whizzing by in colourful blurs, he traces each mindfully. Contently. Waiting reverently, knowing when they meet again in an hour, the gems will be newly arranged and theirs to marvel.
Well, surely you are touching mine
The panel is long over and Die finds himself heavy with the impact of exposure, it hangs on him like a wet blanket. And yet, the freedom of being heard, known, sings around him, bending, crescendoing with the breaths jumping from him when Shinya unexpectedly corners him, in the darkest pocket of that club Toshiya just had to visit and wouldn't stand to alone.
Part of you pours out of me from time to time (in these lines)
"I regret ever offering you booze." Die's voice bounces with the hints of underlying laughter. Anxiousness is quick to relinquish humour as the drummer's returning look holds firm, steady and full. The air bloats, rapt with a tense hunger.
Blue and red strobes shoot up, down, and around them, it's as if lights have been attached to the ends of exicted flying wasps' stingers. Goosebumps toy with Die's skin, it knows it's due to get stung. Techno blares so loud sweat shakes from his pores. It all goes straight to his head, a natural buzz, mixing with the uncountable drinks already swirling inside. He dizzies, saved by the force of Shinya's palm, which doesn't seem satisfied until it's backed him against the wall.
You're in my blood like holy wine, you're so bitter and so sweet
Shinya was known for his selective tastes, shying away from ventures out of his comfort zone. He was always the last to try a new dish. But if there's anything touring has taught him, it's that adapting can save your life. These days he prefers what goes down hard, with a tickle, a queer flavour, with an unknown after taste that leaves him prepared for anything and wanting more. Hell, easy is boring. Easy isn't Die; the only drug never further than an arm's reach per Shinya's desires.
At first Die fights him, until a powerful "Stop!" swings out like a sword to his lips. He's ever-swift, now yielding, as eager as Shinya to reunite lips, set taste buds on fire. And when the younger man is sure it's just the 2 of them, he'll drink down 'til the sun comes up, cheeks rosy, cymbals ringing in his head to blessed spins with paradoxical sobriety.
Yeah. Shinya didn't form many thoughts during the interview. What little enlightened bubbles rose to the surface, came with the waves generated by the man presently crumbling under his calloused hands, chemical rouse and kissesーthe kisses are thank yous.
I could drink a case of you darling, and still be on my feet...still be on my feet
He stirs, hearing the faint undulation of voices he knows all too well, from behind a dark curtain. He thinks it's Toshiya humming, Die shamelessly tongue tripping and Shinya in turn sniggering, but he can't be too sure.
A scuffle of footsteps grow closer, petering out and in as Kyo imagines they go from closet, to washroom, to bunk, covering the entire expanse of the bus. A soft symphony of good nights vibrates briefly. He scarcely has time to sit up ahead of when a tattooed hand curls around the hanging fabric, pulling it to one side, reintroducing him to light.
Eyes have trouble readjusting to the looming figure, who barely lingers before placing his bare knee on the edge of the bunk mattress, Kyo understanding nevertheless, pulling the blanket off him some and scooting forward.
Kaoru maneuvers himself behind the smaller man, stretching boxer clad legs out at his sides, struggling some because of how quaint a space they're in. His arms come around Kyoーwho closes the curtain in advance of settling back against his wife-beater hugged chest with ease.
This is familiar. Wanted. Sacred. Rarely flaunted. Ergo, Kyo is mindful to convey his thoughts in whispers, first asking how things went. The scent of alcohol jumps off of Kaoru's breath in answer, as he nuzzles forward into a golden drape of hair.
"Never mind." Kyo chuckles dolefully, squinting down at his dark-embraced hands as they gently stroke Kaoru's; tracing ink, embracing grooves.
"What about your would-be steady hands, guitarist?" It comes out more solicitous than he intends, bypassing Kaoru completely, an alcoholic fog swallowing subtleties.
"Split personality...the drinks were for the other me." He snorts, a little too proud of himself.
Kyo empathises, at least he tries, secretly wishing he didn't have to. He does not frown on drinking, socially, but can never grow used to Kaoru going places his own sensitive body simply refuses to follow. He has an idea of their happinessーthose who love life will never lose itーfinds the act of synthetically enhancing senses contradictory. Whatever leads him away from the truest and best of all possible versions of himself, is not a constant friend of his.
"Yeah, kinda fucked that up." Slurs Kaoru. "But, you know, what questions weren't genericーconcepts concepts CONCEPTSーwere kinda heady, we were all stupidly nervous and without you Iー"
"Forget it!"
Kaoru flinches, openly startled by the sharpness of the demand, his hyper sensitive state not helping.
Kyo softens his voice some as he continues, "Sorry. I have been isolated too long, I guess." He runs an apologetic hand along Kaoru's arm. "Just...tell me tomorrow, okay? I'd rather not have everyone and everything else here in bed with us."
Kaoru concedes, nipping the muscle tensing along Kyo's neck. It does it's job, Kyo relaxes himself, pressing back possessively, insistently, shoulder blades communicating with ribs. Kaoru takes heed, pushing Kyo forward, shifting them down, closer to the end of the bed, gaining sufficient space so that he may lay back, head meeting a fluffy pillow.
Horizontal, he positions his arm just shy of his head, hand wiggling under it as he admits it's, "Dually noted. Anything else?"
Kyo turns himself around, beaming appreciatively when their eyes meet. He leans into the back of a hand that comes up to caress his cheek, and when retracted, he lays down, curling into the body already warmed, muscles, bones and breaths synthesizing absolutely.
"I don't want to sleep. I just want to dream."
When the crown of his head rests gently in the crease of Kaoru's arm, the man knows exactly what Kyo means, and Kyo smiles because he feels it. Happy to be acceptedーpoetically rhetorical indulgent narratives and allーhis eyes close.
Behind his lids diverse colours sinuously course; nebulae conquering a sky of possibility, never retiring as the brightest things, which any onlooker could ever miss while looking in his open eyes unless blind.
He left an empty page in his diary for this, only he doesn't write about it, he can't, because the day never ends...
Notes:
1) A Case Of You. Lyrics by Joni Mitchell, but I had Prince's version on my mind, because hello, IT'S MOTHER FUCKING PRINCE! ♥
2) He knew him as Sunday, sometimes Monday... Meaning, Kaoru only fit Kyo in, typically, these 2 days. Whether it be for sex, whatever. Sadly. When I think Kaoru I think numbers, schedules, scores fist pumping, manry face, sex and booze. ;)
3) Kuroo. Jouji, aka George. Dir en grey's roadies, Kuroo having seniority but we love George because he's a young, spry fucker, with an amazing sense of humor; unafraid to rock Olivia Newton John's Let's Get Physical reject sweat suits, yep. I'll assume Nora & Rick need no introductions.
4) To picture EXACTLY what everyone looked like: http://www.flickr.com/photos/tydrix/4096281880/
And Kyo: http://www.prefixmag.com/photos/dir-en-grey-goes-cube-gramercy-theater-pics/18
5) I'm sure everyone is familiar with what incident I vaguely referenced. At approx. 2:30 am on November 14th, select members of Dir en grey's staff emerged from their bus, questioning proximate fans, asking whether anything was needed. A few minutes later Kyo emerged with Nora and a few others with lots of tea in hand. Kyo personally crouched down and delivered cups to fans. Not entirely surprising, knowing he used Nora to communicate his concerns to us off and on earlier. I think the gesture is reminiscent of his core, which in truth is lined with love/care. D'aww. Rape my daughter on my grave, my ass!
6) Kaoru did speak for Kyo during the panel, noting his insecurity, rather, his struggle with...crowds. Though some part of me laughed at how easily you could pervert his words, to mean Kyo was a social invalid whom they keep locked in a cage, I was moved by the honesty. ha
7) What you might not know is that Kaoru did indeed approach security at the Kinokuniya panel, boyish and stupidly gracious, after having been provided some...pick me ups. He quite literally clasped Oscar's hands exclaiming, "You very much good security...I love you." Over the next few days referring to Oscar in passing as Mr. Security Man, sometimes Mr. Police Man in his delightfully absent minded English. Oscar is a lovely soul I met, who volunteered to work security on the 10th, fyi. :)
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